Posts Tagged ‘stories’

Truth and Stories

June 6, 2018

flame

There is an expression for communicating among humans– ‘breaking news’.   It refers to very fresh, not old, information that is sufficiently significant that the old reality, the older news, will be changed by it.  Like a newborn emerging from its eggshell it presents a fresh perspective upon our shared world.

Often our view of the world is a bit stale and habitual. Habits are a source of comfort , as old friends.  However, since things constantly change with the passage of time, it may be necessary to freshen up our grasp of reality, of truth itself, if our position isn’t comfy anymore, if our rear ends sag too near the road upon the life path.

What do you take as a ‘given’ that might not be so?  Is there anything that simply won’t ‘come true’ no matter how hard you believe it?  Have you begun to no longer trust your own thoughts, your own feelings, maybe your own senses?  Danger, danger!  No matter how the New Agers sell the power of ‘manifesting your perfect life’.  it has to be do-able here upon the Earth-Mother. 

It may be time to still yourself, ground yourself, reconnect with your own heart and soul, where in truth we are already part of perfection.  Make certain that the news you pass along is truth.

There is also a Druid slogan, ‘Truth against the world.’  That truth is known as Awen,  insight into the eternal and immutable.  All things that manifest can only do so to the extent that they are part of that Truth.  Check it against inner Awen, if you have come across it out in the World.

 

Salman Rushdie has written things that ring true, even presented as fiction, enough to perturb many people whose perspectives are a bit rigid.  He wrote recently about the dilemma of #fakenews  that can get its readers or listeners confused about how our world actually is.  Those who shout loudest that something is #fakenews may actually want us to instead stop thinking and trust the brand of expertise or authority they are touting at the moment.

 

“I have argued, for much of my life as a writer, that the breakdown in the old agreements about reality is now the most significant reality, and that the world can perhaps best be explained in terms of conflicting and often incompatible narratives. In Kashmir and in the Middle East, and in the battle between progressive America and Trumpistan, we see examples of such incompatibilities. I have also maintained that the consequences of this new, argumentative, even polemical attitude to the real has profound implications for literature—that we can’t, or ought not to, pretend it isn’t there. I believe that the influence on public discourse of more, and more varied, voices has been a good thing, enriching our literatures and making more complex our understanding of the world.

“And yet I now face, as we all do, a genuine conundrum. How can we argue, on the one hand, that modern reality has become necessarily multidimensional, fractured and fragmented, and, on the other hand, that reality is a very particular thing, an unarguable series of things that are so, which needs to be defended against the attacks of, to be frank, the things that are not so, which are being promulgated by, let’s say, the Modi Administration in India, the Brexit crew in the U.K., and the President of the United States? How to combat the worst aspects of the Internet, that parallel universe in which important information and total garbage coexist, side by side, with, apparently, the same levels of authority, making it harder than ever for people to tell them apart? How to resist the erosion in the public acceptance of “basic facts,” scientific facts, evidence-supported facts about, say, climate change or inoculations for children? How to combat the political demagoguery that seeks to do what authoritarians have always wanted—to undermine the public’s belief in evidence, and to say to their electorates, in effect, “Believe nothing except me, for I am the truth”? What do we do about that? And what, specifically, might be the role of art, and the role of the literary arts in particular?”

Salman Rushdie

We tell a story of ourselves by the very act of living our lives each day.  Nimue Brown has written about that recently, too.  Because we live with other humans, and in fact need to do it that way,  there is always a balancing act between their realities and ours.  Sometimes, they conflict badly enough that one story will try to over-write another.  Danger, Danger again!  How much of your own truth are you willing to amend just to keep the peace?

“People will fight and kill to protect their stories and their take on reality, even when those stories are clearly harming them. As the person breaking the story, you are perhaps more likely to be seen as the destructive oppressor, and not the rescuing angel you may imagine yourself to be. Those still in the story may simply recast you so that they can keep the story going. “You used to be such a nice little girl. I don’t know what went wrong.”

“Sometimes, the only way out of a story is to break away from the people whose story it is. Sometimes, the only option is to play the role consciously and then escape into spaces where you can properly be yourself. Sometimes to do that, a safe house is required, a new identity, police protection. Sometimes you have to ask difficult questions about the price of your relationships, and the implications of leaving them. People can die as a consequence of misjudging this.

“If you call out a story as a lie, even if you can evidence it, people may fight you. They may fire you, take you to court, lie about you, attack you on social media. They may deprive you of key resources. If you refuse to play your allotted role you may be harassed, ridiculed, threatened or abandoned. You have no control over how other people respond when you stop acting in line with their story.

“But you have the right to live your own life, and you have the right to be safe. So, if you’re wrecking a story, plan your escape routes first – more or less literally as required. Do some risk assessment. Consider the consequences. Try to break the story as calmly as you can, with minimal drama. There is nothing like drama to keep a story moving, because even as you think you’re resisting it, you can find the energy of it being sucked in and used to reinforce the existing story. You were always a useless child. Now you’re upsetting everyone with this stupid idea that you can do something. It’s all your fault… These are the outcomes to avoid.

“It’s natural to want justice, to want recognition. It’s reasonable to want the people who have miscast you to realise their mistakes. It’s also very likely that you won’t get that. If you choose to stay and fight, you may be pulled back into the old story. Sometimes, it is better to go quietly and start a new story of your own somewhere else.”

Nimue Brown  

Sometimes another person is so afraid of your view that they insist upon calling you wrong, or a ‘bad guy’, even insisting that what you see with your own eyes, hear with your own ears, is not so.  Danger, Danger yet again.   If your own senses cannot be relied upon you are severely crippled for handling living. Best to stay true to them, and to yourself, and get far away from one who can only thwart you.  They are ‘gas-lighting’. If you remain with this person,  soon everything will be labeled as your fault.  It never helps to feel that way;  the person who constantly refuses to take responsibility for their own truth will try to get another to do it for them.

The world is our teacher.  Sometimes it is our culture that presents itself, other times we can go right to the Source, to Nature.  Nature has no bias.  No matter what direction a culture may sway us, Nature will not care.  The better a culture harmonizes with Nature, the more successful it proves.  But too often cultures are ossified and losing touch with Nature; they are the ones that are most concerned with the obedience of individuals.

It is one thing to observe and to learn, and another to be a mere follower who depends on the views of another.  If your world has become a prison of fears and prejudices,  it’s time for an open door policy and a good sweeping out.

The Third Reich built its powers by scapegoating minorities and poisoning the public opinion to allow for atrocities against ‘lesser’ populations. Secrecy shielded the worst of the genocide from ordinary citizens. Lies of omission were very common.

Truth is not meant to be hidden.  There is nothing to be ashamed of.  If you have anything in your story that you think you need to hide, please heal it.  If someone else in your world gives you shame for a thing,  do not accept that present.  Or if you find it has been delivered, put it in the compost.

“In Germany, after the Second World War, the authors of what was called Trümmerliteratur, or “rubble literature,” felt the need to rebuild their language, poisoned by Nazism, as well as their country, which lay in ruins. They understood that reality, truth, needed to be reconstructed from the ground up, with new language, just as the bombed cities needed to be rebuilt. I think we can learn from their example. We stand once again, though for different reasons, in the midst of the rubble of the truth. And it is for us—writers, thinkers, journalists, philosophers—to undertake the task of rebuilding our readers’ belief in reality, their faith in the truth. And to do it with new language, from the ground up.”

Salman Rushdie

If you find yourself unsure about a story which is not presented as fiction, but as truth,  be careful of it.  Even the people you trust can be fooled.  Try tossing it all against the wall and see what sticks.

adfsigil

peace, peace, peace

Advertisements

Who is a Druid in the 21st century? guest post by Philip Carr-Gomm

February 3, 2018

http://www.philipcarr-gomm.com/who-is-a-druid-in-the-21st-century/

this is a very informative collection of information about ongoing discussions of modern Druid identity, including evidence of many celebrity humans who are also Druids, though they seldom mention it.

 

Archbishop Rowan Williams at his Druid initiation at the Welsh National Eisteddfod

rw

 

More at link, and links beyond…

http://www.philipcarr-gomm.com/who-is-a-druid-in-the-21st-century/

 

The Ritual of the Crane Dance Curse in Irish Mythology -from https://aliisaacstoryteller.com

September 24, 2017

  As Matriarch of the Order of Lugh I repost the words of my chief deity spoken in Eire 

A frenzy of battle invites you to embrace death.
Our hosting in this conflict will defeat the foreigners who have destroyed the prosperity of the land.
Oh people of the Sídhe, defenders of the land, ravens will come upon our enemies with doom!
May the foreigners be hindered, may fear be heard among them and be their shared torment!
They are sad and doomed.
Ninefold brightness is upon us!
Victory or defeat!
Faugh! Sod of Death!
Death Measure! Rod of Aspen!
Circling leftward I curse them!
Oh you my glorious ones!
The gods will sustain you from the clouds of the sky, in the beauty of the land, and through the powerful skills of Druids.
My battle fire will not falter until the victory is won!
What I ask of you is not the work of cowards, in the dealing of death to the enemy, in the burning fields of battle.
The shadow of death has taken form.
Death goes before us to the foe.
Before the people of the Sídhe,
Before Ogma I swear!
Before the sky and the land and the sea, I swear!
Before the Sun and the Moon and the stars, I swear!
Oh warrior band, my host of battle,
My troops here, the greatest of hosts like the sea,
Mighty waves of golden, powerful, boiling fires, and battle lust
Are created in each of you!
May you seek out your foe upon the field,
Embracing death in a frenzy of battle!

Source: The Ritual of the Crane Dance Curse in Irish Mythology

 

Note:  The traditional means of administering this curse is out loud, in a group, hopping on one leg and with one eye shut, in a circle.

Earth First! UK Zine Wants Your Writing!

October 3, 2016

http://earthfirstjournal.org/newswire/2016/10/03/earth-first-uk-zine-wants-your-writing/

earth-first-vol-1

‘For a semi-regular zine of activist reflections and actions.

‘This is an invitation for articles offering a critical analysis and reflections on Earth First! and related environmental and social justice direct action movements, how we organise and the actions we take. Contributions can be about actions in the UK or international. We also welcome book reviews, activist resources, short rants, illustrations, cartoons, poems and photographs. We suggest 500 – 2000 words for articles…’

If you feel a calling to share your stories of earthly interactions,  go to the link above to read more.

Another Archdruid’s Report: The Blood of the Earth, or Pulp Nonfiction

January 12, 2012

The Archdruid Report: The Blood of the Earth, or Pulp Nonfiction.

“It’s not often remembered these days that the literal meaning of the word “apocalypse” is the revelation of something hidden. The term got its modern meaning because most of the prophecies that have been so labeled claim to reveal one hidden thing in particular, that is, the imminent end of history; but there’s another sense in which the word is even more appropriate, and that sense seems worth exploring just at the moment. The presence and popularity of apocalyptic beliefs, I’ve come to think, reveal something important about any society in which such beliefs occur.

“Apocalyptic thinking, after all, doesn’t come out of nowhere. It has an extensive history behind it, a point I tried to make in my recent book Apocalypse Not, but it also has roots in the collective psychology of any society in which it becomes popular. Epochs awash in apocalyptic beliefs are also full of intense social stress, but there are stressful periods in which very few people spend their time feverishly getting ready for the end of the world. What seems to do the trick is a particular kind of stress—specifically, the kind that happens when the narratives a society uses to make sense of the world no longer work.”

John Michael Greer is the Grand Archdruid of the Ancient Order of Druids in America

Bonus info: disinfo’s link to the chart of US Congressional income by percentage
‘It just costs too much to run for Congress today for anyone who’s not fairly well off to do it. And that’s no coincidence. As income inequality goes up, campaign funding from rich donors also goes up. This creates an arms race that effectively precludes anyone who doesn’t have either money of their own or access to wealthy donors from running. And that means that Congress has fewer and fewer members with any real connection to the working world.’

John Greer’s point is that science fiction is becoming ever less speculative and ever more close to our actual life experiences– as fellow Druid ahm puts it, ‘we are living inside a fantasy rpg!’

Greer:

“By this point, though, I suspect that you, dear reader, are wondering about one detail. If we’re actually stuck inside the pages of a trashy fantasy novel, as I’ve suggested, and all the details of the setting and the plot are in place, where is the protagonist? Who is the hero or the heroine who will turn the pages of the long-lost Gaianomicon, use its forgotten lore to forge a wand of power out of the rays of the Sun, shatter the deceptive spells of the lords of High Finance, and rise up amidst the wreckage of a dying empire to become one of the seedbearers of an age that is not yet born?

Why, you are, of course.”

Helgaleena says, in that case let us all sit cross-legged and hum the sacred names of the deities of our choosing and keep out of trouble. In the southern hemisphere they are harvesting and in the northern hemisphere they are hibernating until Imbolc. Let us wrap ourselves in to ox-hide like the king-maker-seers of Tara and try for insight.